Wednesday, 10 August 2016
Sunday, 22 November 2015
anthropocene is just another word for nothing left to lose (2015)
The largest Atlantic hurricane recorded to date hit New York City in the morning hours of October 29th 2012. Hurricane Sandy was a storm-system with a diameter of 1800 km and took the lives of at least 233 people in eight countries. The assessed damage has been estimated to roughly $68 billion. The hurricane sparked a widespread political debate in the US regarding climate change and the hurricane's relation to global warming.
The audio-footage for this sound art-work was captured from the hd-cameras's microphones mounted on top of the Statue of Liberty and recorded in three parts starting 12.42 pm and ended at 17.54 pm on October 29th, 2012. It has since then been completed into the soundart-work "anthropocene is just another word for nothing left to lose".
The sheer brutality of the storm's impact creates strong overmodulations and distortions and pushes the microphones to its technical limits. The incomparability of this sound (incomparable in the sense of being the largest storm system recorded in meteorological history) is in my opinion
directly interlinked with the technical limits of our civilization in general. It displays certain powerlessness counteracting the current visions of technological omnipotence dominating the early Anthropocene.
Saturday, 31 January 2015
Benefiz Auktion CS Hospiz Rennweg | Semperdepot Wien
please feel kindly invited to the
Benefit Auction for
February 26th 2015, 19 o'clock
organized by Michael Schmidt-Ott
in cooperation with Sotheby's
Labels:
auction,
Auktion,
contemporary art,
CS Hospiz Rennweg,
fund-art.com,
hospice,
Semperdepot,
Sotheby's,
Vienna,
Wien
Wednesday, 19 November 2014
SAMPLES (ÜBERSTÜRZTES HÄNGEN) | KREUZBERG PAVILLON
Alexandra Baumgartner
Sascha Boldt
Jurgen Ostarhild
Mari Poller
Ann Schomburg
Marcus Sendlinger
Andreas Templin
Curated by Jurgen Ostarhild
Freely adapted from Marcus Steinweg's philosophy of
precipitancy, Samples (Überstürztes Hängen*) proves
the possibility of a concurrence of precision and excess.
The works haven't emerged from unique technical skills
but from sampling found photos, found video footage,
motorbike parts and computer code and are solely
chosen by the artists. Not having seen one of the
artworks previous to the exhibition, Jurgen Ostarhild
intentionally exposes himself to a loss of control thus
during the process of hanging, the communication
between the artists, the speculative he experiences as
outsider who is only documenting, he creates a
precision that demands art instead of aesthetics.
*precipitous hanging
open : Sat November 22nd, 2014 (one day only)
Samples (Überstürztes Hängen) erprobt frei nach
Marcus Steinwegs Philosophie der Überstürzung die
Möglichkeit einer Gleichzeitigkeit von Präzision und
Exzess. Die Arbeiten gehen auf keine einzigartigen
handwerklichen Fähigkeiten zurück, vielmehr sind sie
aus gefundenen Fotografien , found video footage,
Motoradteilen und Computercode zusammengesamplet
und wurden allein von den KünstlerInnen ausgewählt.
Indem er keine der Arbeiten vor Beginn der Ausstellung
gesehen hat, setzt sich Jurgen Ostarhild gezielt einem
Kontrollverlust aus und erzeugt im Prozess des
Hängens, der Kommunikation der KünstlerInnen
untereinander, dem Spekulativen, den er als
Aussenstehender erlebt und dokumentiert, eine
Präzision, die Kunst statt Ästhetik einfordert.
offen : Sa 22.November, 2014 (Nur an diesem Tag)
KREUZBERG PAVILLON
Naunynstrasse 53
Gartenstudio Berlin
10999 Berlin
Thursday, 3 October 2013
Thursday, 7 March 2013
ROCKAWAY TO BK TO LA, HAMBURG KENNEDY PHOTOGRAPHS NY
Andreas Templin ist ein in Berlin ansässiger Konzept- und Medienkünstler, Ausstellungsmacher und Stratege, dessen vielfältigen Tätigkeitsfelder sich frei zwischen dem Kultursektor und der freien Wirtschaft bewegen. Er studierte Fine Arts an dem Sandberg Institute Amsterdam (MFA). Umfassende internationale Ausstellungstätigkeit mit mehr als 60 Ausstellungsbeteiligungen wie „An Exchange with Sol LeWitt”, Cabinet New York & MassMOCA (2011), 'as if to nothing', Charles Darwin crying and other works', COEXIST, Tokio (2010) und Beteiligung in der Venice Biennale, Arsenale Novissimo (2009).
Er ist Preisträger von Kunstpreisen in verschiedenen Kunstsparten wie den Hacking Urban Furniture Award (2.Platz), ZK/U Berlin und des Eco-Japan-Cups (Runner‘s Up Prize) Tokio. Internationale Aufmerksamkeit erregte die gemeinsam mit Raimar Stange kuratierte Ausstellung „Goodbye, World“ (apexart NYC 2021), eine Ausstellung zur Klimakatastrophe auf einer Eisscholle in Lappland. In seiner Dozententätigkeit engagierte er sich viele Jahre in Filmworkshops für UNICEF und die OneMinutesFoundation Amsterdam.
Andreas Templin is a Berlin-based conceptual and media artist, exhibition organiser and strategist whose diverse fields of activity move freely between the cultural and corporate sector. He studied fine arts at the Sandberg Institute Amsterdam (MFA). He has exhibited extensively internationally, participating in more than 60 exhibitions, including “An Exchange with Sol LeWitt”, Cabinet New York & MassMOCA (2011), “as if to nothing”, Charles Darwin crying and other works', COEXIST, Tokyo (2010) and the Venice Biennale, Arsenale Novissimo (2009).
He is the winner of art prizes in various art categories, such as the Hacking Urban Furniture Award (2nd place), ZK/U Berlin and the Eco-Japan Cup (Runner's Up Prize), Tokyo. International attention was attracted by the exhibition “Goodbye, World” (apexart NYC 2021), curated together with Raimar Stange, an exhibition on the climate catastrophe on an ice floe in Lapland. In his teaching activities, he was involved for many years in film workshops for UNICEF and the OneMinutesFoundation Amsterdam.
Er ist Preisträger von Kunstpreisen in verschiedenen Kunstsparten wie den Hacking Urban Furniture Award (2.Platz), ZK/U Berlin und des Eco-Japan-Cups (Runner‘s Up Prize) Tokio. Internationale Aufmerksamkeit erregte die gemeinsam mit Raimar Stange kuratierte Ausstellung „Goodbye, World“ (apexart NYC 2021), eine Ausstellung zur Klimakatastrophe auf einer Eisscholle in Lappland. In seiner Dozententätigkeit engagierte er sich viele Jahre in Filmworkshops für UNICEF und die OneMinutesFoundation Amsterdam.
Andreas Templin is a Berlin-based conceptual and media artist, exhibition organiser and strategist whose diverse fields of activity move freely between the cultural and corporate sector. He studied fine arts at the Sandberg Institute Amsterdam (MFA). He has exhibited extensively internationally, participating in more than 60 exhibitions, including “An Exchange with Sol LeWitt”, Cabinet New York & MassMOCA (2011), “as if to nothing”, Charles Darwin crying and other works', COEXIST, Tokyo (2010) and the Venice Biennale, Arsenale Novissimo (2009).
He is the winner of art prizes in various art categories, such as the Hacking Urban Furniture Award (2nd place), ZK/U Berlin and the Eco-Japan Cup (Runner's Up Prize), Tokyo. International attention was attracted by the exhibition “Goodbye, World” (apexart NYC 2021), curated together with Raimar Stange, an exhibition on the climate catastrophe on an ice floe in Lapland. In his teaching activities, he was involved for many years in film workshops for UNICEF and the OneMinutesFoundation Amsterdam.
Labels:
auction,
benefit,
Hamburg Kennedy Photographs,
Los Angeles,
New York,
Rockaway
Monday, 30 July 2012
VIRULENT EXPERIENCE, Conway Hall London
An immersive theatre & art exhibition set on the eve of the Olympics in London 2040.
Curated by FoolishPeople
Curated by FoolishPeople
06.- 31. August, Conway Hall, 25 Red Lion Square, London
Labels:
2040,
Conway Hall,
exhibition,
Foolish People,
immersive theatre,
London,
Olympia
Tuesday, 6 March 2012
video-magazine 'animal'
Andreas Templin 'the 20th Century on visit in the 21st', 2002
'This is not a tribute to animals. No sensitive natural observations, or cute portraits of animal 'companions'.These are videos about animals. People dressed as animals and animals dressed as animals.'
The video-magazine, an activity of the Oneminutes-Foundation Amsterdam, will be on view during March in the following institutions:
Academisch Medisch Centrum, Amsterdam - www.amc.nl/kunst
Amsterdam Museum, Amsterdam - www.amsterdammuseum.nl
deBuren, Brussels - www.deburen.eu
Centraal Museum, Utrecht - www.centraalmuseum.nl
Cultuurwerf/Buro Beeldende Kunst, Vlissingen - www.burobk.nl
Graphic Design Museum, Breda - www.graphicdesignmuseum.com
het Haarlem College - www.haarlemcollege.nl
Kunsthal KAdE, Amersfoort - www.kunsthalkade.nl
Marres - centre for contemporary culture, Maastricht - www.marres.org
NIMk, Amsterdam - www.nimk.nl
Schunck*, Heerlen - www.schunck.nl
TwentseWelle, Enschede - www.twentsewelle.nl
East China Normal University, Shanghai
Chinese European Art Centre, Xiamen
Townhouse gallery, Cairo
Amsterdam Museum, Amsterdam - www.amsterdammuseum.nl
deBuren, Brussels - www.deburen.eu
Centraal Museum, Utrecht - www.centraalmuseum.nl
Cultuurwerf/Buro Beeldende Kunst, Vlissingen - www.burobk.nl
Graphic Design Museum, Breda - www.graphicdesignmuseum.com
het Haarlem College - www.haarlemcollege.nl
Kunsthal KAdE, Amersfoort - www.kunsthalkade.nl
Marres - centre for contemporary culture, Maastricht - www.marres.org
NIMk, Amsterdam - www.nimk.nl
Schunck*, Heerlen - www.schunck.nl
TwentseWelle, Enschede - www.twentsewelle.nl
East China Normal University, Shanghai
Chinese European Art Centre, Xiamen
Townhouse gallery, Cairo
Thursday, 1 December 2011
FRAME, curated by Culture Shock NY, Miami Beach
FRAME is a series of moving image artworks created by 18 video artists & curated by Vimeo and Culture Shock during Art Basel Miami Beach 2011.
Sunday, 16 January 2011
'An Exchange with Sol LeWitt', Cabinet Magazine & MASS MoCA
'Andreas Templin sings Sol LeWitt', 2010, recognition of a karaoke-performance of Sol LeWitt's 'Sentences on Conceptual Art'
A two-part exhibition in collaboration with MASS MoCA, Curated by Regine Basha
Cabinet: January 21, 2011 – March 5, 2011
Opening reception: Thursday, January 20, 7–9 pm
MASS MoCA: January 23, 2011 – March 31, 2011
Opening reception: Saturday, January 22, 7–9 pm
As contribution to this exhibition Andreas Templin developed a karaoke-version of performing
Sol LeWitt's 'sentences on conceptual art' (1969) paying tribute to this grandmaster of conceptual art while citing John Baldessari's legendary videowork 'Baldessari sings LeWitt'.
Wednesday, 5 January 2011
WPA Experimental Media Series 2011
compiled by Paul D. Miller aka DJ Spooky participating artists:
|
Subscribe to:
Posts (Atom)









