Thursday, 15 April 2021

"Goodbye, World" an apexart-exhibition on an ice floe in Arctic Sweden


curated by Andreas Templin and Raimar Stange

view the exhibition on the website of apexart

February 14th - Until the ice melts


Nika Fontaine

Nadira Husain

Jonathan Monk

Olaf Nicolai

Peter Niemann

Eliana Otta

Martha Rosler

Stefanie von Schröter

Veit Schütz

Joulia Strauss

winner international open call apexart 2020/21

Tuesday, 10 March 2020

2050 - Nature Morte | Kunstverein am Rosa-Luxemburg-Platz Berlin


Please feel kindly invited to this group-exhibition at Kunstverein am Rosa-Luxemburg-Platz

with contributions by

Christine & Irene Hohenbüchler
& Klasse für Kooperative Strategien, Kunstakademie Münster
Fabian Knecht
Almut Linde
Anna Meyer
Olaf Nicolai
Oliver Ressler
Stefanie von Schroeter
Joulia Strauss
Andreas Templin
Silke Wagner

A publication will be published for the exhibition, which can be downloaded here

The exhibition is on view from March 08th till May 30th 2020 

Thursday, 23 May 2019

soundpedro | Angels Gate Cultural Center | San Pedro, Los Angeles

Please feel kindly invited to Angels Gate Cultural Center for an evening of ear-oriented art produced by the Long Beach artist group FLOOD

more informations: SOUNDPEDRO 2019  

Tuesday, 26 February 2019

ARTE EN LA CALLE | Centro Conde Duque Madrid

An exhibition focusing on works of Urban Art in Madrid at Centro Conde Duque
opening: 28.02.2019

This group-exhibition includes elements of my situationist play 

The virtual publication for this urban intervention with 150 participants taking place in the inner city of Madrid can be viewed here:

Thursday, 15 March 2018

BERLIN DOUGH | Hacking Urban Furniture | ZK/U Berlin

My award-winning city-furniture-concept BERLIN DOUGH will be part of the 
Center for Art and Urbanistics newest exhibition titled 

opening: 15 March 2018 

Friday, 23 June 2017

Wednesday, 10 August 2016

Bosch 500

after Hieronymus Bosch "the hainwanc" 2001

120x138 cm

Sunday, 22 November 2015

anthropocene is just another word for nothing left to lose (2015)

The largest Atlantic hurricane recorded to date hit New York City in the morning hours of October 29th 2012. Hurricane Sandy was a storm-system with a diameter of 1800 km and took the lives of at least 233 people in eight countries. The assessed damage has been estimated to roughly $68 billion. The hurricane sparked a widespread political debate in the US regarding climate change and the hurricane's relation to global warming.
The audio-footage for this sound art-work was captured from the hd-cameras's microphones mounted on top of the Statue of Liberty and recorded in three parts starting 12.42 pm and ended at 17.54 pm on October 29th, 2012. It has since then been completed into the soundart-work "anthropocene is just another word for nothing left to lose".

The sheer brutality of the storm's impact creates strong overmodulations and distortions and pushes the microphones to its technical limits. The incomparability of this sound (incomparable in the sense of being the largest storm system recorded in meteorological history) is in my opinion

directly interlinked with the technical limits of our civilization in general. It displays certain powerlessness counteracting the current visions of technological omnipotence dominating the early Anthropocene.

Saturday, 31 January 2015

Benefiz Auktion CS Hospiz Rennweg | Semperdepot Wien

please feel kindly invited to the
Benefit Auction for
February 26th 2015, 19 o'clock 
organized by Michael Schmidt-Ott
in cooperation with Sotheby's

Wednesday, 19 November 2014


Alexandra Baumgartner
Sascha Boldt 
Jurgen Ostarhild 
Mari Poller
Ann Schomburg 
Marcus Sendlinger 
Andreas Templin

Curated by Jurgen Ostarhild

Freely adapted from Marcus Steinweg's philosophy of
precipitancy, Samples (Überstürztes Hängen*) proves
the possibility of a concurrence of precision and excess.
The works haven't emerged from unique technical skills
but from sampling found photos, found video footage,
motorbike parts and computer code and are solely
chosen by the artists. Not having seen one of the
artworks previous to the exhibition, Jurgen Ostarhild
intentionally exposes himself to a loss of control thus
during the process of hanging, the communication
between the artists, the speculative he experiences as
outsider who is only documenting, he creates a
precision that demands art instead of aesthetics.

*precipitous hanging

open : Sat November 22nd, 2014 (one day only)

Samples (Überstürztes Hängen) erprobt frei nach
Marcus Steinwegs Philosophie der Überstürzung die
Möglichkeit einer Gleichzeitigkeit von Präzision und
Exzess. Die Arbeiten gehen auf keine einzigartigen
handwerklichen Fähigkeiten zurück, vielmehr sind sie
aus gefundenen Fotografien , found video footage,
Motoradteilen und Computercode zusammengesamplet
und wurden allein von den KünstlerInnen ausgewählt.
Indem er keine der Arbeiten vor Beginn der Ausstellung
gesehen hat, setzt sich Jurgen Ostarhild gezielt einem
Kontrollverlust aus und erzeugt im Prozess des
Hängens, der Kommunikation der KünstlerInnen
untereinander, dem Spekulativen, den er als
Aussenstehender erlebt und dokumentiert, eine
Präzision, die Kunst statt Ästhetik einfordert.

offen : Sa 22.November, 2014 (Nur an diesem Tag)

Naunynstrasse 53
Gartenstudio Berlin
10999 Berlin