WAHLWEISE | KW/Randlage Worpswede | kuratiert von Raimar Stange

 

WAHLWEISE

06.08. - 26.09.21

Ein Ausstellungsprojekt in Worpswede kuratiert von Raimar Stange

Wahlplakate, Flugblätter, Objekte, Musik, Videos von 33 internationalen Künstler*innen

im Rahmen des 2. Randlage Artfestivals

Termine & Infos auf randlageart.de

mit Beiträgen von

Claus Oettinger, Peter Friedl, Dieter Froelich, Beat Gipp, Susanne Giring, Bhima Griem

Eva Grubinger, Christine & Irene Hohenbüchler, Christian Jankowski, Shila Khatami,

Andreas Koch, Almut Linde, Catherine Lorent, Olaf Metzel, Anna Meyer, Marina Naprushkina, 

Peter Niemann, Dan Perjovschi, Oliver Ressler, Martha Rosler, Martin Schepers

Markus Schinwald, Christine Schulz, Joulia Strauss, Matthias Sturm, Andreas Templin

Marie S. Ueltzen, Stefanie von Schroeter, Silke Wagner, Hans Winkler

Jost Wischnewski, Johannes Wohnseifer, Christien Würmell

"Goodbye, World" an apexart-exhibition on an ice floe in Arctic Sweden

 

curated by Andreas Templin and Raimar Stange

view the exhibition on the website of apexart

February 14th - Until the ice melts

Artists:

Nika Fontaine

Nadira Husain

Jonathan Monk

Olaf Nicolai

Peter Niemann

Eliana Otta

Martha Rosler

Stefanie von Schröter

Veit Schütz

Joulia Strauss

winner international open call apexart 2020/21

2050 - Nature Morte | Kunstverein am Rosa-Luxemburg-Platz Berlin

 

Please feel kindly invited to this group-exhibition at Kunstverein am Rosa-Luxemburg-Platz

with contributions by

Christine & Irene Hohenbüchler

& Klasse für Kooperative Strategien, Kunstakademie Münster

Fabian Knecht

Almut Linde

Anna Meyer

Olaf Nicolai

Oliver Ressler

Stefanie von Schroeter

Joulia Strauss

Andreas Templin

Silke Wagner

A publication will be published for the exhibition, which can be downloaded here

The exhibition is on view from March 08th till May 30th 2020 

soundpedro | Angels Gate Cultural Center | San Pedro, Los Angeles

Please feel kindly invited to Angels Gate Cultural Center for an evening of ear-oriented art produced by the Long Beach artist group FLOOD

more informations: SOUNDPEDRO 2019  

ARTE EN LA CALLE | Centro Conde Duque Madrid

 

An exhibition focusing on works of Urban Art in Madrid at Centro Conde Duque

opening: 28.02.2019

This group-exhibition includes elements of my situationist play 

"HELL IS COMING / WORLD ENDS TODAY" for Madrid Abierto.

The virtual publication for this urban intervention with 150 participants taking place in the inner city of Madrid can be viewed here:

BERLIN DOUGH | Hacking Urban Furniture | ZK/U Berlin

My award-winning city-furniture-concept BERLIN DOUGH will be part of the 

Center for Art and Urbanistics newest exhibition titled 

"Hacking Urban Furniture" 

opening: 15 March 2018 

ZK/U - Zentrum für Kunst und Urbanistik Berlin

THE BLIND CURATOR | FK-Kollektiv | 48 Hours Neukölln

opening: 23.06.2017, 19:00

 FK-Kollektiv Kiehlufer 7, 12059 Berlin 

Bosch 500

after Hieronymus Bosch "the hainwanc" 2001

120x138 cm

anthropocene is just another word for nothing left to lose (2015)

The largest Atlantic hurricane recorded to date hit New York City in the morning hours of October 29th 2012. Hurricane Sandy was a storm-system with a diameter of 1800 km and took the lives of at least 233 people in eight countries. The assessed damage has been estimated to roughly $68 billion. The hurricane sparked a widespread political debate in the US regarding climate change and the hurricane's relation to global warming.

The audio-footage for this sound art-work was captured from the hd-cameras's microphones mounted on top of the Statue of Liberty and recorded in three parts starting 12.42 pm and ended at 17.54 pm on October 29th, 2012. It has since then been completed into the soundart-work "anthropocene is just another word for nothing left to lose".

The sheer brutality of the storm's impact creates strong overmodulations and distortions and pushes the microphones to its technical limits. The incomparability of this sound (incomparable in the sense of being the largest storm system recorded in meteorological history) is in my opinion

directly interlinked with the technical limits of our civilization in general. It displays certain powerlessness counteracting the current visions of technological omnipotence dominating the early Anthropocene.

Benefiz Auktion CS Hospiz Rennweg | Semperdepot Wien

please feel kindly invited to the

Benefit Auction for

CS Hospice Rennweg Vienna

February 26th 2015, 19 o'clock 

Semperdepot Vienna

organized by Michael Schmidt-Ott

in cooperation with Sotheby's

please click here to view the auction catalogue

SAMPLES (ÜBERSTÜRZTES HÄNGEN) | KREUZBERG PAVILLON

Alexandra Baumgartner

Sascha Boldt 

Jurgen Ostarhild 

Mari Poller

Ann Schomburg 

Marcus Sendlinger 

Andreas Templin

Curated by Jurgen Ostarhild

Freely adapted from Marcus Steinweg's philosophy of

precipitancy, Samples (Überstürztes Hängen*) proves

the possibility of a concurrence of precision and excess.

The works haven't emerged from unique technical skills

but from sampling found photos, found video footage,

motorbike parts and computer code and are solely

chosen by the artists. Not having seen one of the

artworks previous to the exhibition, Jurgen Ostarhild

intentionally exposes himself to a loss of control thus

during the process of hanging, the communication

between the artists, the speculative he experiences as

outsider who is only documenting, he creates a

precision that demands art instead of aesthetics.

*precipitous hanging

open : Sat November 22nd, 2014 (one day only)

Samples (Überstürztes Hängen) erprobt frei nach

Marcus Steinwegs Philosophie der Überstürzung die

Möglichkeit einer Gleichzeitigkeit von Präzision und

Exzess. Die Arbeiten gehen auf keine einzigartigen

handwerklichen Fähigkeiten zurück, vielmehr sind sie

aus gefundenen Fotografien , found video footage,

Motoradteilen und Computercode zusammengesamplet

und wurden allein von den KünstlerInnen ausgewählt.

Indem er keine der Arbeiten vor Beginn der Ausstellung

gesehen hat, setzt sich Jurgen Ostarhild gezielt einem

Kontrollverlust aus und erzeugt im Prozess des

Hängens, der Kommunikation der KünstlerInnen

untereinander, dem Spekulativen, den er als

Aussenstehender erlebt und dokumentiert, eine

Präzision, die Kunst statt Ästhetik einfordert.

offen : Sa 22.November, 2014 (Nur an diesem Tag)

KREUZBERG PAVILLON
Naunynstrasse 53
Gartenstudio Berlin
10999 Berlin