Please feel kindly invited to Angels Gate Cultural Center for an evening of ear-oriented art produced by the Long Beach artist group FLOOD
more informations: SOUNDPEDRO 2019
Thursday, 23 May 2019
Tuesday, 26 February 2019
ARTE EN LA CALLE | Centro Conde Duque Madrid
An exhibition focusing on works of Urban Art in Madrid at Centro Conde Duque
opening: 28.02.2019
This group-exhibition includes elements of my situationist play
"HELL IS COMING / WORLD ENDS TODAY" for Madrid Abierto.
The virtual publication for this urban intervention with 150 participants taking place in the inner city of Madrid can be viewed here:
Thursday, 15 March 2018
BERLIN DOUGH | Hacking Urban Furniture | ZK/U Berlin
My award-winning city-furniture-concept BERLIN DOUGH will be part of the
Center for Art and Urbanistics newest exhibition titled
opening: 15 March 2018
Friday, 23 June 2017
Wednesday, 10 August 2016
Sunday, 22 November 2015
anthropocene is just another word for nothing left to lose (2015)
The largest Atlantic hurricane recorded to date hit New York City in the morning hours of October 29th 2012. Hurricane Sandy was a storm-system with a diameter of 1800 km and took the lives of at least 233 people in eight countries. The assessed damage has been estimated to roughly $68 billion. The hurricane sparked a widespread political debate in the US regarding climate change and the hurricane's relation to global warming.
The audio-footage for this sound art-work was captured from the hd-cameras's microphones mounted on top of the Statue of Liberty and recorded in three parts starting 12.42 pm and ended at 17.54 pm on October 29th, 2012. It has since then been completed into the soundart-work "anthropocene is just another word for nothing left to lose".
The sheer brutality of the storm's impact creates strong overmodulations and distortions and pushes the microphones to its technical limits. The incomparability of this sound (incomparable in the sense of being the largest storm system recorded in meteorological history) is in my opinion
directly interlinked with the technical limits of our civilization in general. It displays certain powerlessness counteracting the current visions of technological omnipotence dominating the early Anthropocene.
Saturday, 31 January 2015
Benefiz Auktion CS Hospiz Rennweg | Semperdepot Wien
please feel kindly invited to the
Benefit Auction for
February 26th 2015, 19 o'clock
organized by Michael Schmidt-Ott
in cooperation with Sotheby's
Wednesday, 19 November 2014
SAMPLES (ÜBERSTÜRZTES HÄNGEN) | KREUZBERG PAVILLON
Alexandra Baumgartner
Sascha Boldt
Jurgen Ostarhild
Mari Poller
Ann Schomburg
Marcus Sendlinger
Andreas Templin
Curated by Jurgen Ostarhild
Freely adapted from Marcus Steinweg's philosophy of
precipitancy, Samples (Überstürztes Hängen*) proves
the possibility of a concurrence of precision and excess.
The works haven't emerged from unique technical skills
but from sampling found photos, found video footage,
motorbike parts and computer code and are solely
chosen by the artists. Not having seen one of the
artworks previous to the exhibition, Jurgen Ostarhild
intentionally exposes himself to a loss of control thus
during the process of hanging, the communication
between the artists, the speculative he experiences as
outsider who is only documenting, he creates a
precision that demands art instead of aesthetics.
*precipitous hanging
open : Sat November 22nd, 2014 (one day only)
Samples (Überstürztes Hängen) erprobt frei nach
Marcus Steinwegs Philosophie der Überstürzung die
Möglichkeit einer Gleichzeitigkeit von Präzision und
Exzess. Die Arbeiten gehen auf keine einzigartigen
handwerklichen Fähigkeiten zurück, vielmehr sind sie
aus gefundenen Fotografien , found video footage,
Motoradteilen und Computercode zusammengesamplet
und wurden allein von den KünstlerInnen ausgewählt.
Indem er keine der Arbeiten vor Beginn der Ausstellung
gesehen hat, setzt sich Jurgen Ostarhild gezielt einem
Kontrollverlust aus und erzeugt im Prozess des
Hängens, der Kommunikation der KünstlerInnen
untereinander, dem Spekulativen, den er als
Aussenstehender erlebt und dokumentiert, eine
Präzision, die Kunst statt Ästhetik einfordert.
offen : Sa 22.November, 2014 (Nur an diesem Tag)
KREUZBERG PAVILLON
Naunynstrasse 53
Gartenstudio Berlin
10999 Berlin
Thursday, 3 October 2013
Thursday, 7 March 2013
Monday, 30 July 2012
VIRULENT EXPERIENCE, Conway Hall London
An immersive theatre & art exhibition set on the eve of the Olympics in London 2040.
Curated by FoolishPeople
Curated by FoolishPeople
06.- 31. August, Conway Hall, 25 Red Lion Square, London
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