Friday, 23 June 2017

Wednesday, 10 August 2016

Bosch 500

after Hieronymus Bosch "the hainwanc" 2001

120x138 cm

Sunday, 22 November 2015

landfall (2015)

The largest Atlantic hurricane recorded to date hit New York City in the morning hours of October 29th 2012. Hurricane Sandy was a storm-system with a diameter of 1800 km and took the lives of at least 233 people in eight countries. The assessed damage has been estimated to roughly $68 billion. The hurricane sparked a widespread political debate in the US regarding climate change and the hurricane's relation to global warming.
The audio-footage for this sound art-work was captured from the hd-cameras's ,microphones mounted on top of the Statue of Liberty and recorded in three parts starting 12.42 pm and ended at 17.54 pm on October 29th 2012. It has since then been completed into the composition "landfall".
The sheer brutality of the storm's impact creates strong overmodulations and distortions and pushes the microphones to its technical limits. The incomparability of this sound (incomparable in the sense of being the largest stormsystem recorded in meteorological history) is in my opinion directly interlinked with the technical limits of our civilization in general. It displays a certain powerlessness counteracting the current visions of technological omnipotence dominating the early Anthropocene.

Saturday, 31 January 2015

Benefiz Auktion CS Hospiz Rennweg | Semperdepot Wien

please feel kindly invited to the
Benefit Auction for
February 26th 2015, 19 o'clock 
organized by Michael Schmidt-Ott
in cooperation with Sotheby's

Wednesday, 19 November 2014


Alexandra Baumgartner
Sascha Boldt 
Jurgen Ostarhild 
Mari Poller
Ann Schomburg 
Marcus Sendlinger 
Andreas Templin

Curated by Jurgen Ostarhild

Freely adapted from Marcus Steinweg's philosophy of
precipitancy, Samples (Überstürztes Hängen*) proves
the possibility of a concurrence of precision and excess.
The works haven't emerged from unique technical skills
but from sampling found photos, found video footage,
motorbike parts and computer code and are solely
chosen by the artists. Not having seen one of the
artworks previous to the exhibition, Jurgen Ostarhild
intentionally exposes himself to a loss of control thus
during the process of hanging, the communication
between the artists, the speculative he experiences as
outsider who is only documenting, he creates a
precision that demands art instead of aesthetics.

*precipitous hanging

open : Sat November 22nd, 2014 (one day only)

Samples (Überstürztes Hängen) erprobt frei nach
Marcus Steinwegs Philosophie der Überstürzung die
Möglichkeit einer Gleichzeitigkeit von Präzision und
Exzess. Die Arbeiten gehen auf keine einzigartigen
handwerklichen Fähigkeiten zurück, vielmehr sind sie
aus gefundenen Fotografien , found video footage,
Motoradteilen und Computercode zusammengesamplet
und wurden allein von den KünstlerInnen ausgewählt.
Indem er keine der Arbeiten vor Beginn der Ausstellung
gesehen hat, setzt sich Jurgen Ostarhild gezielt einem
Kontrollverlust aus und erzeugt im Prozess des
Hängens, der Kommunikation der KünstlerInnen
untereinander, dem Spekulativen, den er als
Aussenstehender erlebt und dokumentiert, eine
Präzision, die Kunst statt Ästhetik einfordert.

offen : Sa 22.November, 2014 (Nur an diesem Tag)

Naunynstrasse 53
Gartenstudio Berlin
10999 Berlin

Thursday, 7 March 2013


                       AUCTION SITE                                  RSVP

Monday, 30 July 2012


An immersive theatre & art exhibition set on the eve of the Olympics in London 2040. 
Curated by FoolishPeople 
06.- 31. August, Conway Hall, 25 Red Lion Square, London

Tuesday, 6 March 2012

video-magazine 'animal'

Andreas Templin 'the 20th Century on visit in the 21st', 2002

'This is not a tribute to animals. No sensitive natural observations, or cute portraits of animal 'companions'.These are videos about animals. People dressed as animals and animals dressed as animals.' 

The video-magazine, an activity of the Oneminutes-Foundation Amsterdam, will be on view during March in the following institutions: 

Academisch Medisch Centrum, Amsterdam -
Amsterdam Museum, Amsterdam -
deBuren, Brussels -
Centraal Museum, Utrecht -
Cultuurwerf/Buro Beeldende Kunst, Vlissingen -
Graphic Design Museum, Breda -
het Haarlem College -
Kunsthal KAdE, Amersfoort -
Marres - centre for contemporary culture, Maastricht -
NIMk, Amsterdam -
Schunck*, Heerlen -
TwentseWelle, Enschede -
East China Normal University, Shanghai
Chinese European Art Centre, Xiamen
Townhouse gallery, Cairo

Thursday, 1 December 2011

FRAME, curated by Culture Shock NY, Miami Beach

FRAME is a series of moving image artworks created by 18 video artists & curated by Vimeo and Culture Shock during Art Basel Miami Beach 2011.

Sunday, 16 January 2011

'An Exchange with Sol LeWitt', Cabinet Magazine & MASS MoCA

'Andreas Templin sings Sol LeWitt', 2010, recognition of a karaoke-performance of Sol LeWitt's 'Sentences on Conceptual Art'
A two-part exhibition in collaboration with MASS MoCA, Curated by Regine Basha
Cabinet: January 21, 2011 – March 5, 2011
Opening reception: Thursday, January 20, 7–9 pm
300 Nevins Street, Brooklyn (directions here); Tuesday to Saturday , 12–6 pm

MASS MoCA: January 23, 2011 – March 31, 2011
Opening reception: Saturday, January 22, 7–9 pm
1040 MASS MoCA Way, North Adams, MA (directions here); 11 am–5 pm every day except Tuesday
As contribution to this exhibition Andreas Templin developed a karaoke-version of performing 
Sol LeWitt's 'sentences on conceptual art' (1969) paying tribute to this grandmaster of conceptual art while citing John Baldessari's legendary videowork 'Baldessari sings LeWitt'.

Made possible with the kind support of DISPLAY-MEDIA FILM- AND POSTPRODUCTION.